Not only is it faster, more powerful, more flexible, and better looking than PLAY, it comes with incredible new features such as individual instrument auditioning and downloads, customized key-switches, dozens of new MIDI Tools and mixer effect, scalable retina GUI upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument.
EWQLSO TUTORIAL SOFTWARE
The OPUS software engine is the realization of this effort. With these two titans of music software development now on our now, we decided it was time to develop a brand new software engine from the ground up. Then we were able to bring in Wolfgang Scheneider, the creator of Kontakt.
He was the mastermind behind the creation of Cubase, Nuendo, and Studio One. “Many improvements were made to the PLAY software engine over the last decade but we suddenly had a unique opportunity,” says producer Doug Rogers, “we were able to bring Wolfgang Kundrus in as head of software development. Our brand new OPUS software engine replaces PLAY and has been in years in development. The Opus Edition also includes new string, brass and wind multi ensembles that have a unique fat sound that captures the tuning of a large orchestra playing together in a live setting." These new recordings are unmatched in the virtual instruments world. "Once again, this was a huge success because of the quality of the players," says Phoenix, "Each woodwind ensemble works together on a regular basis and the tuning and timing are immaculate. After improving the original woodwinds, new ensembles were recorded, including 3 bassoons, 3 clarinets, and 3 flutes. Particular focus was placed on Hollywood Orchestral Woodwinds.
EWQLSO TUTORIAL SERIES
The programming of the original content from Hollywood Orchestra has been updated to take advantage of the features included in the new Opus software engine, as well as the Hollywood Solo Instrument Series (now included in this expansion). The legato is blazing at high velocities and sounds like a live performance." 2 trumpets were recorded again using two of the best players in the Hollywood film score scene. The new trombones are warm, full, and extremely precise. The new 2 tenor trombones have a completely different sound from the 3 trombones in the original collection. They work well with the existing collection or as a replacement for the original 1st violins. The legato is the best we have ever recorded.
They have a different sound," says producer Nick Phoenix, "the players are different. "The new 18 violins are an alternate to the first 16 violins of the original library.
EWQLSO TUTORIAL PLUS
4.Brand new recordings include a new 18 violin string section for Hollywood Strings, new ensembles for Hollywood Brass and Hollywood Orchestral Woodwinds, plus new string, brass, and wind multi ensembles. Your best bet right now is to create your score, do the Midi export into Cubase and tweak for playback with EWQLSO. More details about this will have to come from someone who actually uses it (tried figuring it out, but gave up) - but I do know that you would not be able to render your scores to audio through Sibelius. Since EWQLSO doesn't have a dedicated VST host like GPO Studio, if you want to use the EWQLSO library directly with Sibelius you would have to get a third program like Maple Midi (free) or Midi Bridge, which allows you to run the stand-alone EWQLSO simultaneously with Sibelius and allows Sibelius to "see" it as a Midi playback device. If you exported your Sibelius scores as Midi files you could open them in Cubase and use the EWQLSO sounds to play them. Cubase by itself is not going to help you use EWQLSO with Sibelius as it is a stand-alone sequencing package.
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